James Putnam Abbott Nudes and Nakeds When appearing in a work of art (and perhaps in life), it is not better to be nude than to be naked, or vice-versa. It may not even be different. Nor, in my view, is it better -- as a subject of art -- to be clothed than to be nude or naked. But it surely is different. We recognize at the barest glance the difference between an artwork that features someone unclothed and that which features someone with their clothes still on. And when the clothes remain on, they tell us volumes about the person wearing them, and we can easily categorize people based on their choices of adornment. This is not so when one is confronted with bare skin. Instead of the normal response, one thinks first and foremost: This person is nude! Or, this person is naked! Or perhaps, but far less likely, one thinks of the person simply as unclothed, or undressed, or bare! Other distinctions about the uncovered person may be discovered from the context, but the nudity or nakedness trumps these, at least at first. My premise is that when a viewer of art first thinks “this person is naked,” the viewer is making a judgment different from that when s/he first thinks “this person is nude.” It is a more subtle difference, I think however, than Sir Kenneth Clark suggests in his seminal volume on the subject of the nude in art: The English language, with its elaborate generosity, distinguishes between the naked and the nude. To be naked is to be deprived of our clothes, and the word implies some of the embarrassment most of us feel in that condition. The word "nude," on the other hand, carries, in educated usage, no uncomfortable overtone. The vague image it projects into the mind is not of a huddled and defenseless body, but of a balanced, prosperous, and confident body: the body re-formed. In fact, the word was forced into our vocabulary by critics of the early eighteenth century to persuade the artless islanders [of the UK] that, in countries where painting and sculpture were practiced and valued as they should be, the naked human body was the central subject of art. Kenneth Clark, The Nude: A Study in Ideal Form The art in which clothed persons appear is viewed without the burden of bare skin, and, except for the truly obsessed, one thinks of sex and desire and shame and lust only if the work contains other elements that ignite these thoughts. But once the clothes are off, the bare skin dominates the work, in part because it is not what we see at most times when we live our lives in the real world (and is therefore attractive as pure novelty), in part because we are so drawn to the skin by our primal desires, and in part because there is always something political about bare skin. Once we see the skin, we are challenged to define, for ourselves first, what it is that we are seeing. Later we will speak of it to others, incorporating our initial subjective response. Some will see all bared skin as bad -- as in evil or sinful or politically incorrect. For those viewers, the distinction between naked and nude does not exist, and we need not dwell on their views any further here. But for the rest of us -- for most of us, I trust -- there is a more complex assessment that begins, and that assessment, with the linguistic choices that come with it, is what I seek to explore. If it is viewed completely objectively, the image alone will trigger the nude/naked categorization, but in most cases the context will affect the linguistic choice. For example, bare skin seen in a museum will likely be called nude, and the same bare skin seen in a Playboy magazine will likely be seen as naked. But in addition to the context in which the art is viewed, the context within the art itself is critical as well. Nude Women play harps. Naked Ladies dance on top of pianos. Greg Mills You will note that I have employed the word “naked” as a noun. This is not accepted practice, if you use the dictionary as your guide. There can be any number of nudes walking around a place, but never a single naked. Well, together we will change that. Perhaps one day the room will be crowded with as many nakeds as nudes, a goal worth striving to achieve. I make art that features both nudes and nakeds, and I make this art conscious of all the implications of the fact that my subjects are not wearing clothing. As an artist, I do not strive for an objective mental vacuum, nor pretend I am looking only at pure line and form when I see the bared skin of my models, my co-conspirators in the creation of art. I’ll leave that for the life drawing classes. There is always some mental element in the choices I make, and inevitably with an unclothed model that element always relates to sex in some fashion. It is not personal, in the sense of sexual seduction, but it is conscious. To say otherwise would be disingenuous, and if it was truly otherwise, the art would be sterile. So, there is no doubt that I work with real persons, not just abstracted skin and limbs. But am I working with a a nude person or a naked person? You are nude until confronted with someone who is fully dressed, then you're NAKED. Photographer Jim McGee Under this amusing formulation advanced by another artist, it would seem that I always work with naked models, as it has never occurred to me to conduct a session while naked myself. Actually, that’s not really true, but that’s another story entirely. © 2008 James Putnam Abbott Here are some personal assessments. Do you agree?

James Putnam Abbott Nudes and Nakeds When appearing in a work of art (and perhaps in life), it is not better to be nude than to be naked, or vice-versa. It may not even be different. Nor, in my view, is it better -- as a subject of art -- to be clothed than to be nude or naked. But it surely is different. We recognize at the barest glance the difference between an artwork that features someone unclothed and that which features someone with their clothes still on. And when the clothes remain on, they tell us volumes about the person wearing them, and we can easily categorize people based on their choices of adornment. This is not so when one is confronted with bare skin. Instead of the normal response, one thinks first and foremost: This person is nude! Or, this person is naked! Or perhaps, but far less likely, one thinks of the person simply as unclothed, or undressed, or bare! Other distinctions about the uncovered person may be discovered from the context, but the nudity or nakedness trumps these, at least at first. My premise is that when a viewer of art first thinks “this person is naked,” the viewer is making a judgment different from that when s/he first thinks “this person is nude.” It is a more subtle difference, I think however, than Sir Kenneth Clark suggests in his seminal volume on the subject of the nude in art: The English language, with its elaborate generosity, distinguishes between the naked and the nude. To be naked is to be deprived of our clothes, and the word implies some of the embarrassment most of us feel in that condition. The word "nude," on the other hand, carries, in educated usage, no uncomfortable overtone. The vague image it projects into the mind is not of a huddled and defenseless body, but of a balanced, prosperous, and confident body: the body re-formed. In fact, the word was forced into our vocabulary by critics of the early eighteenth century to persuade the artless islanders [of the UK] that, in countries where painting and sculpture were practiced and valued as they should be, the naked human body was the central subject of art. Kenneth Clark, The Nude: A Study in Ideal Form The art in which clothed persons appear is viewed without the burden of bare skin, and, except for the truly obsessed, one thinks of sex and desire and shame and lust only if the work contains other elements that ignite these thoughts. But once the clothes are off, the bare skin dominates the work, in part because it is not what we see at most times when we live our lives in the real world (and is therefore attractive as pure novelty), in part because we are so drawn to the skin by our primal desires, and in part because there is always something political about bare skin. Once we see the skin, we are challenged to define, for ourselves first, what it is that we are seeing. Later we will speak of it to others, incorporating our initial subjective response. Some will see all bared skin as bad -- as in evil or sinful or politically incorrect. For those viewers, the distinction between naked and nude does not exist, and we need not dwell on their views any further here. But for the rest of us -- for most of us, I trust -- there is a more complex assessment that begins, and that assessment, with the linguistic choices that come with it, is what I seek to explore. If it is viewed completely objectively, the image alone will trigger the nude/naked categorization, but in most cases the context will affect the linguistic choice. For example, bare skin seen in a museum will likely be called nude, and the same bare skin seen in a Playboy magazine will likely be seen as naked. But in addition to the context in which the art is viewed, the context within the art itself is critical as well. Nude Women play harps. Naked Ladies dance on top of pianos. Greg Mills You will note that I have employed the word “naked” as a noun. This is not accepted practice, if you use the dictionary as your guide. There can be any number of nudes walking around a place, but never a single naked. Well, together we will change that. Perhaps one day the room will be crowded with as many nakeds as nudes, a goal worth striving to achieve. I make art that features both nudes and nakeds, and I make this art conscious of all the implications of the fact that my subjects are not wearing clothing. As an artist, I do not strive for an objective mental vacuum, nor pretend I am looking only at pure line and form when I see the bared skin of my models, my co-conspirators in the creation of art. I’ll leave that for the life drawing classes. There is always some mental element in the choices I make, and inevitably with an unclothed model that element always relates to sex in some fashion. It is not personal, in the sense of sexual seduction, but it is conscious. To say otherwise would be disingenuous, and if it was truly otherwise, the art would be sterile. So, there is no doubt that I work with real persons, not just abstracted skin and limbs. But am I working with a a nude person or a naked person? You are nude until confronted with someone who is fully dressed, then you're NAKED. Photographer Jim McGee Under this amusing formulation advanced by another artist, it would seem that I always work with naked models, as it has never occurred to me to conduct a session while naked myself. Actually, that’s not really true, but that’s another story entirely. © 2008 James Putnam Abbott Here are some personal assessments. Do you agree? http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html James Putnam Abbott Nudes and Nakeds When appearing in a work of art (and perhaps in life), it is not better to be nude than to be naked, or vice-versa. It may not even be different. Nor, in my view, is it better -- as a subject of art -- to be clothed than to be nude or naked. But it surely is different. We recognize at the barest glance the difference between an artwork that features someone unclothed and that which features someone with their clothes still on. And when the clothes remain on, they tell us volumes about the person wearing them, and we can easily categorize people based on their choices of adornment. This is not so when one is confronted with bare skin. Instead of the normal response, one thinks first and foremost: This person is nude! Or, this person is naked! Or perhaps, but far less likely, one thinks of the person simply as unclothed, or undressed, or bare! Other distinctions about the uncovered person may be discovered from the context, but the nudity or nakedness trumps these, at least at first. My premise is that when a viewer of art first thinks “this person is naked,” the viewer is making a judgment different from that when s/he first thinks “this person is nude.” It is a more subtle difference, I think however, than Sir Kenneth Clark suggests in his seminal volume on the subject of the nude in art: The English language, with its elaborate generosity, distinguishes between the naked and the nude. To be naked is to be deprived of our clothes, and the word implies some of the embarrassment most of us feel in that condition. The word "nude," on the other hand, carries, in educated usage, no uncomfortable overtone. The vague image it projects into the mind is not of a huddled and defenseless body, but of a balanced, prosperous, and confident body: the body re-formed. In fact, the word was forced into our vocabulary by critics of the early eighteenth century to persuade the artless islanders [of the UK] that, in countries where painting and sculpture were practiced and valued as they should be, the naked human body was the central subject of art. Kenneth Clark, The Nude: A Study in Ideal Form The art in which clothed persons appear is viewed without the burden of bare skin, and, except for the truly obsessed, one thinks of sex and desire and shame and lust only if the work contains other elements that ignite these thoughts. But once the clothes are off, the bare skin dominates the work, in part because it is not what we see at most times when we live our lives in the real world (and is therefore attractive as pure novelty), in part because we are so drawn to the skin by our primal desires, and in part because there is always something political about bare skin. Once we see the skin, we are challenged to define, for ourselves first, what it is that we are seeing. Later we will speak of it to others, incorporating our initial subjective response. Some will see all bared skin as bad -- as in evil or sinful or politically incorrect. For those viewers, the distinction between naked and nude does not exist, and we need not dwell on their views any further here. But for the rest of us -- for most of us, I trust -- there is a more complex assessment that begins, and that assessment, with the linguistic choices that come with it, is what I seek to explore. If it is viewed completely objectively, the image alone will trigger the nude/naked categorization, but in most cases the context will affect the linguistic choice. For example, bare skin seen in a museum will likely be called nude, and the same bare skin seen in a Playboy magazine will likely be seen as naked. But in addition to the context in which the art is viewed, the context within the art itself is critical as well. Nude Women play harps. Naked Ladies dance on top of pianos. Greg Mills You will note that I have employed the word “naked” as a noun. This is not accepted practice, if you use the dictionary as your guide. There can be any number of nudes walking around a place, but never a single naked. Well, together we will change that. Perhaps one day the room will be crowded with as many nakeds as nudes, a goal worth striving to achieve. I make art that features both nudes and nakeds, and I make this art conscious of all the implications of the fact that my subjects are not wearing clothing. As an artist, I do not strive for an objective mental vacuum, nor pretend I am looking only at pure line and form when I see the bared skin of my models, my co-conspirators in the creation of art. I’ll leave that for the life drawing classes. There is always some mental element in the choices I make, and inevitably with an unclothed model that element always relates to sex in some fashion. It is not personal, in the sense of sexual seduction, but it is conscious. To say otherwise would be disingenuous, and if it was truly otherwise, the art would be sterile. So, there is no doubt that I work with real persons, not just abstracted skin and limbs. But am I working with a a nude person or a naked person? You are nude until confronted with someone who is fully dressed, then you're NAKED. Photographer Jim McGee Under this amusing formulation advanced by another artist, it would seem that I always work with naked models, as it has never occurred to me to conduct a session while naked myself. Actually, that’s not really true, but that’s another story entirely. © 2008 James Putnam Abbott Here are some personal assessments. Do you agree? Island Queen NUDE: Here the queen lounges comfortably against the rock, sure of her beauty, and nude in the most classic sense. Her attendant, however, may well be naked, crouching somewhat tentatively, with her mask a bit askew. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#0 90de6de2-63da-48ef-a332-25cebcef5e7a http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/islandqueenBW004MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/islandqueenBW004MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Island Queen<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE:  Here the queen lounges comfortably against the rock, sure of her beauty, and nude in the most classic sense. Her attendant, however, may well be naked, crouching somewhat tentatively, with her mask a bit askew.</span></p></div></div> Question NAKED:: The faintest expression of doubt or sadness transforms this nude portrait into an image of someone naked -- a transformation achieved psychologically, not physically. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#1 bb03fa53-560f-4f2d-a503-280ea8b9f30d http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/lesson30a2MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/lesson30a2MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_8">Question</span><span style="line-height: 12px; " class="style_7"><br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NAKED:: The faintest expression of doubt or sadness transforms this nude portrait into an image of someone naked -- a transformation achieved psychologically, not physically.</span></p></div></div> Welcome to Hell NAKED: This guard at the gates of hell is naked in the most powerful, animalistic sense. Her small bare body is taut, and ready for a fight. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#2 d285255c-12a1-4300-ab7c-f3202783924b http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/welcometohell0644eMASTER2/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/welcometohell0644eMASTER2/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Welcome to Hell<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NAKED:  This guard at the gates of hell is naked in the most powerful, animalistic sense.  Her small bare body is taut, and ready for a fight.</span></p></div></div> Steam Shovel NUDE: Posed in front of a richly hued but rusting steam shovel and its complementary goldenrod, this model strikes a classic pose, displaying confidence in a body that is lush and sensual despite its departure from classic form. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#3 5168a04c-f8fa-4980-8bab-3d7dbd928474 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/steamshovel01MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/steamshovel01MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Steam Shovel<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE: Posed in front of a richly hued but rusting steam shovel and its complementary goldenrod, this model strikes a classic pose, displaying confidence in a body that is lush and sensual despite its departure from classic form.</span></p></div></div> Between Shots NAKED: Moving between shots, comfortable in her skin in the warm sun, and letting her small body relax into an intimate realness, this is a sleek warm naked lady -- naked because she seems to be a friend without her clothes, and not a model posing “in the nude.” http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#4 897b5fa9-4f9a-4440-ba11-daa34c9d7d5e http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kym1902MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kym1902MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Between Shots<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NAKED: Moving between shots, comfortable in her skin in the warm sun, and letting her small body relax into an intimate realness, this is a sleek warm naked lady -- naked because she seems to be a friend without her clothes, and not a model posing “in the nude.”</span></p></div></div> Fecund Icon NUDE: Made almost metallic by solarization, this mother assumes an eternal pose, invoking our dreams of potency and fertility, and forming an icon that one might worship. She is nude in the most classic way. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#5 5e62cf09-4d62-41dd-acf8-4f711427be8e http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/shari006MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/shari006MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Fecund Icon<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE:  Made almost metallic by solarization, this mother assumes an eternal pose, invoking our dreams of potency and fertility, and forming an icon that one might worship.  She is nude in the most classic way.<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p></div></div> Now You Know NAKED: Pulling open her white gown to reveal a lush body enmeshed in a wire dress form, we see here visual nakedness at its most plain -- metaphorical and real. Virginal to those shown only the outside, we are shown the naked truth of complex needs and constraints, and the steady eyes tell us not to judge her for these. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#6 f661a159-a8cb-4a4a-a662-9f7bfcc2dc59 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/jennifer075MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/jennifer075MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Now You Know<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NAKED: Pulling open her white gown to reveal a lush body enmeshed in a wire dress form, we see here visual nakedness at its most plain -- metaphorical and real.  Virginal to those shown only the outside, we are shown the naked truth of complex needs and constraints, and the steady eyes tell us not to judge her for these.</span></p></div></div> Models NUDE:.The angular, barren tree and skeletal airplane model, juxtaposed with the grace of curves bathed in soft light makes this ambivalent portrait a nude. Although her arms are clasped behind her back, this woman is clearly free to follow any path from this moment, and the onlooker gazes in awe at the quiet moment http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#7 e0d7cef4-873e-47f4-b1dc-aee7b7c5d204 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/tracy104MASTER2/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/tracy104MASTER2/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Models <br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE:.The angular, barren tree and skeletal airplane model, juxtaposed with the grace of curves bathed in soft light makes this ambivalent portrait a nude.  Although her arms are clasped behind her back, this woman is clearly free to follow any path from this moment, and the onlooker gazes in awe at the quiet moment</span></p></div></div> Poker Game NAKED: Having lost her all her clothes at game, now she playfully pouts at having to surrender the very last piece. Soon she will be naked in the most zestful, energetic way -- desired sexually, knowing it, and having fun with it. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#8 61f2b326-94fe-4e40-972e-3bcdc6700867 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kelseypoker0596e90010910MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kelseypoker0596e90010910MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Poker Game<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NAKED: Having lost her all her clothes at game, now she playfully pouts at having to surrender the very last piece.  Soon she will be naked in the most zestful, energetic way --  desired sexually, knowing it, and having fun with it.</span></p></div></div> Scar NUDE: A childhood accident leaves a scar. The scar causes the perfection around it to glow, and makes you want to reach out and run your forefinger along it. This is a classic nude with a subtle punch line. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#9 4128397a-a487-4331-9bac-6798a583376f http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/tracyscar705eMASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/tracyscar705eMASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Scar<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE:  A childhood accident leaves a scar.  The scar causes the perfection around it to glow, and makes you want to reach out and run your forefinger along it.  This is a classic nude with a subtle punch line.</span></p></div></div> Warehouse Steps NAKED: Here is an example of where a shred of clothing can make you more naked than if you had no clothing at all. Golden hair and breasts gleaming, legs spread, arms tense with downward pressure on the small piece of cloth, we find ourselves looking at what we cannot see, not what we can. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#10 31807792-b0e3-494e-862a-ceea79102762 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/whenimalone5665e/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/whenimalone5665e/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Warehouse Steps<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NAKED:  Here is an example of where a shred of clothing can make you more naked than if you had no clothing at all.  Golden hair and breasts gleaming, legs spread, arms tense with downward pressure on the small piece of cloth, we find ourselves looking at what we cannot see, not what we can.</span></p></div></div> Outside Union Tunnel NUDE: The darkness of the receding tunnel stands for misguided desire, but this means nothing to its object, as she leans against the wall, near the abyss, and amazingly bare against the stone. But it is her apparent comfort that shield her from nakedness here. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#11 31a72163-981c-4044-b957-8cb6dc49d108 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/uniontunnel521MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/uniontunnel521MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Outside Union Tunnel<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE:  The darkness of the receding tunnel stands for misguided desire, but this means nothing to its object, as she leans against the wall, near the abyss, and amazingly bare against the stone.  But it is her apparent comfort that shield her from nakedness here.</span></p></div></div> Inside Union Tunnel NAKED: Here the mood changes, and the light that finds her deep in the grimy tunnel reveals a naked body, tense with apprehension, and possibly vulnerable. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#12 4af0224e-3a16-4775-8e60-d8ff1e0e9a02 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/uniontunnel514MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/uniontunnel514MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_9">Inside Union Tunnel <br/></p><p class="paragraph_style_9"><br/></p><p style="padding-bottom: 0pt; " class="paragraph_style_9">NAKED:  Here the mood changes, and the light that finds her deep in the grimy tunnel reveals a naked body, tense with apprehension, and possibly vulnerable.</p></div></div> Waiting Her Turn NUDE: I see this in the same way I see Models (above). A graceful form, bathed in light, and adopting a posture that might be submissive and might be at ease, resting. We see this gentle form as something classic and eternal. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#13 a90c2e7e-d723-4722-a80c-0a17e8242271 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/pinup1302MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/pinup1302MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Waiting Her Turn<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE: I see this in the same way I see Models (above).  A graceful form, bathed in light, and adopting a posture that might be submissive and might be at ease, resting.  We see this gentle form as something classic and eternal.</span></p></div></div> Scare Crow NUDE: The embodiment of a model who is a good sport, this woman certainly must be nude, and not naked. It seems to me almost impossible to feel and be naked when you are confident enough to participate in a joke about your own body. For me to line up next to a a fat gnome would be comparable, and I’m certainly not brave enough for that! http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#14 48c2fd29-d0c2-46f4-9037-576f1e87e452 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/scarecrow337MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/scarecrow337MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Scare Crow<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE: The embodiment of a model who is a good sport, this woman certainly must be nude, and not naked.  It seems to me almost impossible to feel and be naked when you are confident enough to participate in a joke about your own body.  For me to line up next to a a fat gnome would be comparable, and I’m certainly not brave enough for that!</span></p></div></div> Most Of You Was Naked NUDE: The skin is naked -- as in bare -- but the mind is not. The mind is full of thoughts that extend far beyond her moment here in the light. She knows it is easy to be beautiful, and that here the gazer is the servant of the gazed upon. But what is the value of that, she asks herself, and the barest hint of a bemused smile begins on her lips. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#15 868e8f8a-d9df-4515-9a93-fd1cfea05060 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/mostofyouwasnakedMASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/mostofyouwasnakedMASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Most Of You Was Naked<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE: The skin is naked -- as in bare -- but the mind is not.  The mind is full of thoughts that extend far beyond her moment here in the light.  She knows it is easy to be beautiful, and that here the gazer is the servant of the gazed upon.  But what is the value of that, she asks herself, and the barest hint of a bemused smile begins on her lips.    </span></p></div></div> Contrasting Visions NUDE: Power, expressed in the male-like slouch, transports this woman from naked to nude, while her once-nude friend peeks nakedly from behind her. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#16 0db67fc7-5537-44cb-b556-274ebe99e546 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/butch705MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/butch705MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Contrasting Visions<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE: Power, expressed in the male-like slouch, transports this woman from naked to nude, while her once-nude friend peeks nakedly from behind her.</span></p></div></div> Studio Pose NUDE: The model’s pose in the bright light of the studio make this into a nude portrait. There is no mental side to this image; it is all curves and light. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#17 0e851363-9ef7-4869-a23d-882ecfee4362 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kathleenleroy965MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kathleenleroy965MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Studio Pose<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE: The model’s pose in the bright light of the studio make this into a nude portrait.  There is no mental side to this image; it is all curves and light.</span></p></div></div> Naked NAKED http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#18 8f16214d-3b93-4f56-87b5-25d60574c2dc http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/pinupkelsy0710MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/pinupkelsy0710MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Naked<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NAKED</span></p></div></div> Union Tunnel II NUDE http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#19 1fc2f0a2-f9e3-4d16-9f42-f1eca5c60ba1 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/uniontunnel525MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/uniontunnel525MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_10">Union Tunnel II<br/></p><p style="padding-bottom: 0pt; " class="paragraph_style_10">NUDE</p></div></div> Wire Vest NAKED http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#20 c3d5ac66-278e-4383-ab44-9e1877f6f0ed http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/lindsey4073eMASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/lindsey4073eMASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Wire Vest<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NAKED</span></p></div></div> Wire Vest NAKED http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#21 d590bd93-49a2-47d5-974c-8bbe377e58c1 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/IMG_4080e/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/IMG_4080e/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Wire Vest<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NAKED</span></p></div></div> Under Pass NUDE: Her hands cover her sex, but not in shyness or embarrassment. Rather, they are relaxed, and held in a natural pose. This is a confident stance, eyes meeting those of the onlooker, legs spread for stability and strength, not in surrender. She has not been backed against this wall. She has found her way here without her clothes and now she looks to see the level of your own sexual bravery. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#22 a81de53d-f871-464a-85bc-85e6f15f5740 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/underpass08b4MASTER2/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/underpass08b4MASTER2/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Under Pass<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE:  Her hands cover her sex, but not in shyness or embarrassment.  Rather, they are relaxed, and held in a natural pose.  This is a confident stance, eyes meeting those of the onlooker, legs spread for stability and strength, not in surrender.  She has not been backed against this wall.  She has found her way here without her clothes and now she looks to see the level of your own sexual bravery.</span></p></div></div> I Don’t Need You NUDE http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#23 bf5ff718-690f-4d88-9a51-9aac8b546063 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/mannequin5418MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/mannequin5418MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_10">I Don’t Need You<br/></p><p style="padding-bottom: 0pt; " class="paragraph_style_11">NUDE</p></div></div> Kathleen NAKED http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#24 8b75fb56-aacb-413d-b766-6f47bff40663 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kathleen959MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kathleen959MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Kathleen<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NAKED</span></p></div></div> Ace of Spades NAKED http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#25 35651d0a-b1da-431b-8dba-e600fe5fedc4 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kelseypoker0611eMASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/kelseypoker0611eMASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Ace of Spades<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NAKED</span></p></div></div> Compassion NUDE http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#26 cfcd6483-efd1-4f48-b109-259c83e4227d http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/lesson30a3MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/lesson30a3MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_10">Compassion<br/></p><p style="padding-bottom: 0pt; " class="paragraph_style_11">NUDE</p></div></div> Mother Time NUDE: Here, with full lips set in a grim line, the sleek female body holds a dangerous looking tool, its curves presented not as a weapon, but as a symbol. It makes you step back, and consider whether further pursuit of your sexual desire is worth the risk. For me, the classic tool and its symbolic authority, turn this body from naked to nude. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#27 5a8f7bb0-4758-4e34-9ea8-45734f587611 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/fantasy192MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/fantasy192MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Mother Time<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NUDE:    Here, with full lips set in a grim line, the sleek female body holds a dangerous looking tool, its curves presented not as a weapon, but as a symbol.  It makes you step back, and consider whether further pursuit of your sexual desire is worth the risk.  For me, the classic tool and its symbolic authority, turn this body from naked to nude. </span></p></div></div> Poker Game NAKED: When you play strip poker, the goal is to see the other person without clothing, while you retain at least some. Yet here, the grace with which she steps out of her panties makes me want to classify this young woman as a nude. But I do know the context, and at the end of a strip poker game, when the last piece of clothing is surrendered, the loser is most definitely naked, in the most fun and playful meaning of the word. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#28 b96c4b41-7a9d-43a8-851d-866bf9a6ad93 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/pinup0599MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/pinup0599MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Poker Game<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NAKED:   When you play strip poker, the goal is to see the other person without clothing, while you retain at least some. Yet here, the grace with which she steps out of her panties makes me want to classify this young woman as a nude.  But I do know the context, and at the end of a strip poker game, when the last piece of clothing is surrendered, the loser is most definitely naked, in the most fun and playful meaning of the word.  </span></p></div></div> Arch NAKED http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#29 b8c1e412-2cbc-4b97-af4e-79e63305e54d http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/arch0726e/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/arch0726e/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Arch<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NAKED</span></p></div></div> The Lesson NUDE http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#30 97c13a63-7017-41f2-8f70-2744043e52f6 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/rainyday33a2MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/rainyday33a2MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_10">The Lesson<br/></p><p style="padding-bottom: 0pt; " class="paragraph_style_10">NUDE</p></div></div> Leaving The Garden NUDE http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#31 51d402bf-8df3-427a-811a-f28a3889df49 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/leavingthegarden932004MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/leavingthegarden932004MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Leaving The Garden<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NUDE</span></p></div></div> Warehouse Stairwell NAKED: It would be hard to be nude, not naked, if you had entered this place without your clothes. The dinginess, the light provided from but one bare lightbulb, swinging on its exposed cord, make your skin seem twice as bare. In this image, the covering gesture makes the nakedness more pronounced. http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#32 23cf8693-5a04-44cf-9a95-c85cadc365b1 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/warehouse5628MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/warehouse5628MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">Warehouse Stairwell<br/></span></p><p class="paragraph_style_7"><span style="line-height: 12px; " class="style_7"><br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_7"><span style="line-height: 12px; " class="style_7">NAKED:  It would be hard to be nude, not naked, if you had entered this place without your clothes.  The dinginess, the light provided from but one bare lightbulb, swinging on its exposed cord, make your skin seem twice as bare.  In this image, the covering gesture makes the nakedness more pronounced.</span></p></div></div> Pinup 2032 NAKED http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#33 a47eb649-f877-409b-ae54-c72c1d1d0023 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/pinup5626MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/pinup5626MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Pinup 2032<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NAKED</span></p></div></div> Looks Better On Me NUDE http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#34 db3d0436-9d0c-458e-879d-7514daf43169 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/patapsco0028b3master/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/patapsco0028b3master/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Looks Better On Me<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NUDE</span></p></div></div> Curves NUDE http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#35 6bc65c87-a09c-422f-abe3-e534a47696c9 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/square08a5master/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/square08a5master/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Curves<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NUDE</span></p></div></div> Lips NAKED http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#36 30a6d507-3dc8-4ede-a7a1-48b866bcc9bf http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/lips0699e/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/lips0699e/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">Lips<br/></span></p><p style="padding-bottom: 0pt; " class="paragraph_style_8"><span style="line-height: 12px; " class="style_7">NAKED</span></p></div></div> Keeper’s House Wall NUDE http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds.html#37 a3163b32-759b-4c07-8b4c-be92edc64e79 http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/keeperswallone783e201MASTER/thumb.jpg http://www.jamespabbott.com/Private_Galleries/Nudes_%26_Nakeds_files/Media/keeperswallone783e201MASTER/micro.jpg <div style="padding: 0px; " class="image_cluster_layout_style_default_External_0_0"><div class="image_cluster_layout_style_default"><p style="padding-top: 0pt; " class="paragraph_style_10">Keeper’s House Wall<br/></p><p style="padding-bottom: 0pt; " class="paragraph_style_10">NUDE</p></div></div>